People

The Who’s Who of Collectible Design – from gallerists and auctioneers, to designers and craftspeople.

Tessa and Tara Sakhi by TDE Editorial Team

Design Duos / People

Tessa and Tara Sakhi: Embraced and cocooned by Venice and inspired by its heritage of glass, the Lebanese-Polish sisters open their show at Venice Glass Week.

By TDE Editorial Team

People

James Mair: He started out showing Tom Dixon, Ron Arad and Danny Lane. TDE finds out where his design tastes led.

By Charlotte Abrahams

People

Leo Orta: Striking out independently with a solo show, the designer discusses his new compass setting.

By Anna Sansom

People

Matthias Pliessnig: Designer of voluptuous steam bent furniture - Paul Clemence meets him in his studio.

By Paul Clemence

Design Duos / Voukenas Petrides by TDE Editorial Team

Design Duos / People

Voukenas Petrides: Experimentation, ambition and poetic aesthetics – a winning combination from the Athens-based designers.

By TDE Editorial Team

Design Duos / Muller Van Severen by Ollie Horne

Design Duos / People

Muller Van Severen: The Design Edit talks to the designer couple who've developed a powerful and distinctive creative language.

By Ollie Horne

People

Stephen Markos: The founder of Superhouse talks about his passion for promoting young talents in the collectible design field.

By Adrian Madlener

People

Stuart Haygarth: “A lot of my work is about abandonment and loss, I think. And giving things a second life.”

By Claire Wrathall

Design Duos / JAMESPLUMB by TDE Editorial Team

People

JAMESPLUMB: The sculptors whose design flies free of pigeonholes.

By TDE Editorial Team

People

Fredrik Nielsen: “What I create with my hands is something unique … I can’t make it up in advance.”

By Emma Park

Alice Stori Liechtenstein by Kristen de la Vallière

People

Alice Stori Liechtenstein: Kristen de la Vallière, founder of the curatorial design platform @sayhito_ interviews the chatelaine and contemporary design curator of Schloss Hollenegg.

By Kristen de la Vallière

“I was trying to understand how a pictorial space of a painting could become all-embracing and give you that sense of comfort – so you would want to spend time with the work, rather than confront it at a distance.” by TDE Editorial Team

People

Bea Bonafini: “I was trying to understand how a pictorial space of a painting could become all-embracing and give you that sense of comfort – so you would want to spend time with the work, rather than confront it at a distance.”

By TDE Editorial Team

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People

The Who’s Who of Collectible Design – from gallerists and auctioneers, to designers and craftspeople.

Tessa and Tara Sakhi: Embraced and cocooned by Venice and inspired by its heritage of glass, the Lebanese-Polish sisters open their show at Venice Glass Week.

James Mair: He started out showing Tom Dixon, Ron Arad and Danny Lane. TDE finds out where his design tastes led.

Leo Orta: Striking out independently with a solo show, the designer discusses his new compass setting.

Matthias Pliessnig: Designer of voluptuous steam bent furniture - Paul Clemence meets him in his studio.

Voukenas Petrides: Experimentation, ambition and poetic aesthetics – a winning combination from the Athens-based designers.

Muller Van Severen: The Design Edit talks to the designer couple who've developed a powerful and distinctive creative language.

Stephen Markos: The founder of Superhouse talks about his passion for promoting young talents in the collectible design field.

Stuart Haygarth: “A lot of my work is about abandonment and loss, I think. And giving things a second life.”

JAMESPLUMB: The sculptors whose design flies free of pigeonholes.

Fredrik Nielsen: “What I create with my hands is something unique … I can’t make it up in advance.”

Alice Stori Liechtenstein: Kristen de la Vallière, founder of the curatorial design platform @sayhito_ interviews the chatelaine and contemporary design curator of Schloss Hollenegg.

Bea Bonafini: “I was trying to understand how a pictorial space of a painting could become all-embracing and give you that sense of comfort – so you would want to spend time with the work, rather than confront it at a distance.”

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